Where we agreed
7 numeric ballots landed at a 4.43 average. Population SD: 0.49.

August 2026 selection
Book brief
A spare, violent pursuit through a changing American borderland, where a stolen fortune draws Llewelyn Moss into the path of Anton Chigurh while Sheriff Bell reckons with the world around him.
Published club synthesis
A stark, violent pursuit that the club admired more than it always enjoyed.
Oliver's August selection landed strongly overall, with seven recorded scores averaging 4.43/5. Eric and Matt gave it perfect marks for its textured prose, landscapes and moral force, while Ed loved the simplicity of McCarthy's writing and how well the lines translate to cinema. Jacob and Josh were drawn to Anton Chigurh as an embodiment of fate and to the book's questions about determinism, justice and morality. Oliver and Nathan found the changing perspectives and McCarthy's punctuation challenging, though both still liked Bell's reflections and the plot. The room kept circling the same tension: the novel is vivid and haunting, but its ambiguity can make the reader work for clarity.
The scorecard
7 numeric ballots landed at a 4.43 average. Population SD: 0.49.
Eric went highest at 5/5; Nathan went lowest at 3.5/5. Range: 1.5 stars.
7 preserved records
Open any ballot. Direct historical wording remains untouched.
Oliver had never read McCarthy or seen the film and thought he would love it. He found the action-heavy opening and changing perspectives difficult, and eventually got used to the lack of punctuation, though he still felt the characters were a little surface-level and was confused by Wells's appearance and disappearance. He liked the limited connections between the characters, the picture of 1980s America, and the way Bell's opening sections gathered meaning as the story converged with the present.
Nathan found it hard to follow when reading only a few days at a time. The writing style, long flow-on sentences and changing characters were challenging, though they became easier towards the end. He liked the plot and found Chigurh enigmatic, while the book's question about whether the world is getting worse or whether age simply makes it harder to tolerate felt especially resonant.
Eric really loved it, especially McCarthy's textured writing, vivid landscapes and the way the prose pulls the reader in without distracting attribution. He felt the book rewards a reread and creates a lived-in world, with the crafting scenes among the most interesting parts. He connected it to Blood Meridian through its themes of violence and its enigmatic figure of evil, and wondered why Moss takes the money when he is smart enough to know he cannot get away with it.
Matt also really liked it, finding the vivid prose engaging rather than being pushed away by the lack of punctuation. He spent an embarrassing amount of time not realising the characters had changed, and wondered whether the lack of attribution and unclear language reflects McCarthy thinking about language itself. The pole sequence hit close to home because of his call-centre experience, and he read Moss as misguided: attempts to do something good, like bringing water to the Mexican or looking after the girl, repeatedly get other people hurt.
Jacob had seen the film and loved both it and the book. The film supplied useful visual context, while the book's repeated references to the Vietnam War and Sheriff Bell's inner monologue added material the adaptation could not. He saw Anton as the embodiment of fate, moving through the novel as something that cannot really be stopped, even when he is hit by a car.
Josh really liked it and found the book's moral play compelling. He read it as asking whether the world is deterministic or whether people are punished and rewarded for their actions: Chigurh says there is no justice, while Moss is punished after choosing to give water and Bell is rewarded after running away from his men. Josh did not find the ambiguity of who was speaking necessary, but loved the prose and landscape imagery overall.
Ed loved it and liked the simplicity of Cormac McCarthy's writing style. He also thought Ed Tom was a goated name.
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